Slowing Down

I am a procrastinator for many things: housework, filling out the kids’ numerous school forms, scheduling appointments for myself, etc. With writing, too, I often put off a project until I must work on it, or else I am quite fine letting it languish on my hard drive. The novel I’m currently revising—that one that I began in 2005—is an excellent example of letting something go until I have to work on it. And, when I begin to focus on it, my laziness vanishes, and I work as though that novel should have been finished yesterday! I want it done now.

This week, however, I’m thinking about the beauty of slowing down and working consistently. For my Deep Editing course, I have to revise 5 – 10 pages each week. Last week, in my excitement to finally edit my novel, I worked on 11 pages. I felt energized and ambitious. For this week’s assignment, Chapter 3 is 13 pages in length. If I finished 11 pages last week, why not revise more? On Tuesday, as I considered these pages, I realized that trying to do more wasn’t going to work for this revision process. Yes, I could edit the entire chapter, but I would produce a cleaner revision by focusing on fewer pages. I could consider each verb, each comma. I could look at a paragraph and make sure that each sentence was essential.

It was difficult not to look at the second half of the chapter once I committed to editing only the first half. Yet, as I review the pages this morning before submitting them, I see that revising at a slower pace has produced better results. If I consistently work on revising this novel during the semester and beyond, I will have a clean draft in several months. It is exciting to consider.

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The Artist’s Journey

This semester, I have designed a course examining creativity: what it is and how to develop it. Creativity and the artistic process are hard to define and difficult to study. However, within the context of this class, I will examine how other artists have nurtured their creative spirit and developed their artistic path. I hope to glean inspiration from them and implement some of their ideas and practices into my own writing routine. I will use this blog to report my experiences and maybe share a few practices or ideas that are helpful to other writers.

I have worked on a novel since 2005, and this story and its characters have always felt precious to me. I have also harbored an irrational belief that this is all I’ve got within me, that I have this one novel, this one story, and nothing more. Working on the MA in creative writing has shown me that there other ideas lurking within and that it has been, in many cases, my own fear and rigidity inhibiting me from taking creative risks and writing new stories. I am hoping to lose—or at least mitigate—this fear of not having something else to write about.

I’m excited to see what this semester brings and in what direction my writing journey will take.

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Summer writing musings

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I spent a lovely week in Mallorca, Spain, which is, in many ways, a place I consider home. I only lived there for a year, primarily to study Spanish, but it is a land that has haunted and inspired me for the last 16 years. Indeed, the very first novel I wrote (and completed, but will never see the light of day) is largely based on the year I spent on this island. A current project I am working on is also set in Mallorca, and it is a piece I hope to finish fairly soon. The green mountains, the turquoise sea, the ancient buildings, the sounds of graceful Spanish and sharp Catalan–all these and more are what draw me back to this small island again and again. Through words, I long to capture its beauty and magic.

Closer to home, I spent a week at the Antioch Writers’ Workshop, which I consider another “home.” It was six years ago when I first attended that workshop as a shy, young-ish writer. I had just finished a novel (see above), but besides my husband, no one else knew I was a writer. I didn’t even know I was a writer, and even at my first writers’ conference, I hesitated in identifying myself as such. I believe I used terms like “hobby” or “experimenting.” Six years later, halfway through my MA in creative writing, I’m still reluctant to call myself a “real” writer. It’s easier to call myself a student when I’m nowhere near published. Yet, coming back to Antioch, I felt empowered and recharged. I felt like a real writer. Surrounded by fellow writers, I drew strength from the creative energy buzzing through the campus.

Practical stuff: I had the pleasure of attending Crystal Wilkinson’s afternoon seminar. In her class, Crystal taught us about the importance of verbs in our stories, how strong verbs lead to strong scenes. She offered many revision tips. One which I’ve already used is to go through a story or chapter and look for just one element to focus on. It can be something as simple as circling all the verbs or highlighting all the dialogue. It could be identifying where a scene begins and ends, which many times leads to discovering a piece lacks definite scenes. There are many approaches to revision, and Crystal offered the ones that have helped her writing.

The phrase most bantered about at this year’s workshop was “reading as a writer” (courtesy of Francine Prose, no doubt). I noticed less recommendations of craft books and more suggestions to read Novel X because it has excellent dialogue or Memoir Y because it has clear narrative arcs. As I’ve looked through my notes this past month, I have come up with a list of recommended books based on my writing needs. Among the books I’m reading or plan to read are: Hemingway’s The Nick Adams Stories and Stephanie Vaughn’s short story collection Sweet Talk.

As far as actual writing goes, this summer I have concentrated on revision of a novella, and the two edits I have done have completely changed the story’s direction. I’m taking some time off to let it rest and see what I should do with it.

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Revision tips

Revision tips

First seen on a Kenyon writer’s Facebook feed, and so useful.

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Openings

It’s appropriate to start the opening of a new year and a new term with a discussion on openings in literature. In our craft class, we have briefly discussed where to begin stories. I have heard that the “acceptable” opening is in media res, in the middle of the story. That is not always the case. Having not formally studied writing before this program (I was a Spanish major and Middle Eastern Studies minor in college), it is eye-opening to me to see that what I’ve learned largely on my own about writing is not gospel. It is refreshing and freeing to understand that there are different and successful ways to begin a story, much as there are different and successful ways of narrating one (i.e. point of view).

Here’s a favorite opening of mine from a lovely book I recently finished, Silence in October by Jens Christian Grondahl (Houghton Mifflin Harcourt, 2001):

Astrid stands at the rail with her back to the town. The breeze lifts her hair in a ragged, chestnut brown flag. She’s wearing sunglasses and smiling. There is perfect harmony between her white teeth and the white city. The photo is seven years old.

The opening paragraph continues for over a page. In the middle, there’s a startling revelation: Astrid has been gone for the month, and the narrator (her husband) has had no contact with her and only a sketchy idea, based on bank statements, of her location. It’s an intriguing, compelling opening–a flashback and present-day mystery in one. It’s unconventional yet accomplishes what all openings should do: invite readers into the story and persuade them to read more.

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End of Term Thoughts

Three more days until the first term of grad school ends. The turkey’s defrosting in the fridge; I have a grocery list of Thanksgiving items to buy. The kids have dog-eared the Mindware and Target toy catalogs, Christmas dreams starting to occupy their thoughts. I’m always amazed how quickly time passes.

About a year ago, I was in a creative slump. I hadn’t written seriously in several years, nor had I met local writers since moving to Florida (but I hadn’t made much effort seeking them out). In an attempt to revive my writing habit, I applied to the Kenyon Review Writers’ Workshop and set aside each Wednesday to write.

Fast forward to June. I attended the Kenyon program, which was an intense week of generating new work, both in class and outside, and having this work critiqued by the instructor. I was exhausted upon returning home, but the experience rekindled my creative fire–I wanted more. Fourteen years after graduating college, I started researching low-residency Creative Writing master programs. I was excited that Antioch University Midwest had such a program; I talked to the enrollment manager, program advisor and one of the deans. I applied and was accepted.

Suddenly, I was sitting in a classroom again during my first three-day residency in mid-September. Energy flowed. Students from all over the country were coming together to begin their master programs in creative writing, social sciences, teaching, and several self-designed programs. After years of seeing myself as “just” a mom and wife, I was exhilarated to finally be doing something for myself, to be engaged in a learning community once more.

And now it’s the end of November. I’ve written several short stories, experimented with poetry and personal essay. Read Didion and Ondaatje, O’Connor and Orwell. I learned how to write an annotated bibliography, interviewed a poet, blogged, and started planning my first individualized course. Locally, I started volunteering at a community writers’ workshop and in my daughter’s classroom on the day they work on writing. I’m exhausted. But still elated.

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Interview Posted!

I interview poet Elizabeth Bradfield here. Fascinating conversation. I enjoyed learning more about her writing life. And her two poetry collections are marvelous.

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Select small moments (and other tips from a second-grade writing class)

Once a week, I spend an hour in my daughter’s classroom, assisting her teacher with the writing workshop. Upon finding out from my daughter that I was going back to school for writing, Mrs. M. asked me to help out weekly with the classroom writing period. In addition to an increased appreciation for Mrs. M.’s continuous patience and enthusiasm, I have also gained insight and appreciation of how to teach creative writing to children. As adult writers, we learn about “show, don’t tell,” proper dialogue tagging, interesting openings, etc., and I’ve been surprised to see how this class is learning the same elements of creative writing, just in slightly different forms.

The first month I was in the classroom, the students worked on small moment stories. They learned how details and characters make the story and how to focus on the important events (tacked to the bulletin board, a picture of a pie slice removed from the bigger pastry serves as a visual reminder of what the students want to achieve). They discussed using actions to illustrate emotions. And they incorporated thoughts and dialogue into their stories.

This week, they started a new session. Small moment stories are still preferred, but now the class is focusing on setting writing goals and on writing for the reader. How can they make a story appealing to a reader? As I walked around and helped each student, we talked about capitalization and punctuation, leaving space between words, and using the word wall and spelling lists when making word choices. Mrs. M., who also writes children’s stories and is active in a local writing group, related her own experiences as a writer, how she sets goals before she starts a piece.

Second graders are second graders. They tease their neighbors, staple their writing sheets upside down, and need frequent reminders to at least begin their story. However, I’ve been amazed and impressed by the stories they write weekly, the natural creativity they possess and the joy they experience while relating tales of trick-or-treating or finding frogs in toilets. In fourth grade, they will take a writing assessment as part of the FCAT, the statewide standardized test administered yearly from grades three through ten. Soon, they will essentially learn how to write for the test; for the moment, they enjoy the freedom and joy of creativity, and I hope that they never lose it.

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Titles

Titles make me nervous. That is, titling my own pieces is difficult. I lack the creativity to come up with a succinct, clever group of words to capture the essence of my work. Hence, stories, finished or not, linger in my Google docs with names like NaNo2009 and Story 2004. I figure if I ever get close to publishing something, I will have a brilliant beta-reader who will suggest the perfect title. Right??

That said, I’ll take inspiration wherever its found, and on the drive home from the grocery store this afternoon, it hit me: Story 2005, my novel-in-progress begun in the winter of 2005, is Be With Me. No, it’s not original. In fact, it’s the title of a movie from Singapore I recently saw, a beautiful meditation on love and the need for connection (and the closest to a poem, as far as films go). But it works for this piece, for now. And it’s nice to have a working title, which somehow lends more purpose to the piece.

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NaNoWriMo

In 2006, when I lived in Dayton and was part of a local writers’ group, I participated in the National Novel Writing Month challenge: complete a 50K word novel in 30 days (that’s about 1667 words per day or about 7 pages double-spaced). Several of us took on the challenge, checked-in with each other both online and at our regular meeting spot (Panera Bread) and toasted each other with hot chocolates when we met the word-count goal. It was crazy, it was tiring. But the beauty of writing so many words in a limited time is that there is no time to think! You write and let the crazy plot twists and quirky characters form the novel.

I participated in NaNo in ’07, ’08, and ’09, all three times writing close to 30K words. Last year, my sister got married, and writing a novel was simply unfeasible. This year, just a few days shy of the 1 November start date, I remain undecided.

We’ve been working on different writing prompts in class, and I have a shiny new cast of characters to work with–either my zombie infestation crew or my love triangle families (although I have a feeling spending 30 days with the latter group may be a bit of a bummer). Not to mention fall term wraps up at the end of November, and there is much schoolwork to complete.

I’ll see how I feel after I raid the kids’ Halloween candy. Chocolate and sugar make the daunting seem doable…

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